The Art and Antique Dealers League of America
Announces Exhibitor Line-up for October Fine Art & Antique Dealers Show
New York: The Art & Antique Dealers League of America (AADLA) has announced that their third annual Fine Art & Antiques Show—with 24 dealers—will open for a 5-day run starting Thursday October 31st at the St. Ignatius Loyola Church in Wallace Hall, 980 Park Avenue on New York’s Upper East Side.
According to show manager Brad Reh, six galleries have joined the show. They include Betty Krulik Fine Art, Ltd., from New York (19th and 20th century American art); Philadelphia’s Dolan/Maxwell Gallery (modern and contemporary art), Denmark-based Greg Pepin Silver (hollowware, silverware, and jewelry); New York-based Rehs Galleries (19th through contemporary paintings); Moylan/Smelkinson The Spare Room (Philadelphia); and from Nantucket, Lynda Willauer Antiques (Chinese export porcelain, Majolica, Staffordshire ceramics). “We’re delighted to welcome these distinguished dealer to our roster,” says Reh. “Each enhances the wonderful offerings of our existing dealers.”
The 2019 Fine Art & Antiques Show includes the following galleries:
- Richard A. Berman Fine Arts (Old Master Drawings)
- European Decorative Arts (Objects de Vertu and Carriage Clocks)
- Framont (Late 18th and 19th century fine art)
- Galerie Rienzo (School of Paris paintings and Bernard Buffet)
- Clinton Howell (18th century English furniture and decorative arts)
- Hyde Park Antiques (18th- and early 19th-century English furniture and decorative arts)
- L’Antiquaire & The Connoisseur (17th-19th-century Continental furniture)
- Marcy Burns American Indian Arts (Decorative arts and jewelry)
- Nemati Collection (Period rugs)
- Michael Pashby Antiques (18th-century English furniture)
- Potterton Books (Vintage books)
- James Robinson (Jewelry, silver, porcelain and glass)
- Schillay Fine Art (Impressionist, modern and post-war art)
- Schwarz Gallery (19th- and 20th-century American and European Art
- Sundial Farm (Antique clocks)
- Throckmorton Fine Art (Buddhist sculpture and Pre-Colombian Art)
- Earle D. Vandekar Of Knightsbridge (17th- through 20th-century ceramics)
The AADLA’s Fine Art & Antiques Show has become a must-shop destination for interior designers who are sourcing decorative and fine art for their clients. Says Ellie Cullman of the preeminent Cullman & Kravis, “This show is an excellent resource for finding reasonably priced quality items. My team and I always look forward to the exciting discoveries this show provides.”
“With the dearth of antique shops these days, we rely on shows like the Fine Art & Antique Show, adds Alex Papachristidis of his eponymous firm. “It’s small, chic, easy to get to, manageable and, most important, there are so many fantastic things to be found.” Last year, Papachristidis scored two English 18th century sunburst mirrors from Clinton Howell. “The mirrors are going over a fantastic console and commode in my clients home in Europe.”
About the AADLA
Founded in 1926, The Art and Antique Dealers League of America, Inc., now with 86 members, is the oldest and principal antiques and fine arts organization in America. The mission of the league is to bring the members of the art and antiques trade closer together and to promote a greater understanding among themselves and with the public, and generally to devote itself to the best interests of dealers and collectors of antiques and works of art.
The participating dealers are leaders in their respective fields and have been in the business for many years. They’ve seen collecting trends come and go and aren’t rattled by the whims in taste. With its boutique-style fair, collectors—veteran or neophyte— can purchase a broad spectrum of beautiful objects at far more approachable prices.”
Here are some highlights from each of the dealers:
What: Stanley William Hayter’s Summer Evening 1985 acrylic on linen, 57 1/2 x 45″, signed & dated recto
Where: Dolan Maxwell
What: Monumental Carved Ivory and Silver-Gilt Figure of “Salvador del Mundo”.
Indo-Portuguese, Early to Mid-18th Century.
Where: European Decorative Arts Company
What: Portrait of Chevalier de la Douepe du Faugerais by Louis-Léopold Boilly 1761-1845 Works by LL Boilly are in all major museums such as the Met
What: A fine and impressive oval rococo looking glass crested with a double c-scrolls holding an acanthus spray flanked by ho-ho birds over trailing vines with carved c-scrolls, the base terminating with c-scrolls flanking a seated lamb. Glass not original. English, Circa 1755
Height. 52 ½” Width 32 ¾”
Where: Clinton Howell Antiques
What: A Superb Regency Burr Elm Octagonal Center Table, in the manner of George Bullock, Circa 1820
Where: Hyde Park Antiques
What: ALEXANDER CALDER (American, 1898-1976)
Gouache and ink on paper
43 1/8x 9 7/8inches
Where: Betty Crulik
What: A two-drawer lacquered commodino with sky blue painted reserves with flowers and birds on the front drawers and floral bouquets in vases on the sides with birds; on a coral ground with gilt pastiglia decoration; with a greenish/blue painted faux marble top
Sicily, Italy circa 1740
Size: 33” high x 28” wide x 15” deep (83.8 x 71.2 x 38.2 cm.)
Where: L’Antiquaire & The Connoisseur
What: An unusually large Mid 20th c. Persian Gabbeh carpet in a black and white check design measuring 6 ft 7 in x 10 ft 4 in
What: This Is A Complete Portfolio Of 20 Pochoir Plates, The Title Of Which Is “Insectes” By E.A.Seguy, Published In 1924. It Consists Of 80 Brilliantly And Boldly Coloured Insects From Around The World, Among Them There Are Bees, Wasps, Beetles, Dragonflies And Scarabs. The Prints In The Portfolio Were Produced Using The Pochoir Technique Which Is Characterised By Rich Intense Colours, It Involved Applying The Paints To Each Plate With A Number Of Stencils (Up To One Hundred In Some Cases). As Far As Our Research Goes This Is The Only Complete Set Currently On The Market, It Will Be Priced At $25,000.
Where: Potterton Books
What: Johann Berthelsen
(1883 – 1972)
Washington Square Park
Oil On Canvas
12 X 16 Inches
Where: Howard Rehs
What: Artist: Bernard Buffet (1928-1999 Fr.)
Title: Saint Tropez, Le Port
Medium: Oil On Canvas
Canvas Size: 130X195Cm. (51 3/16″ X 76 3/4″)
Photo Certificate Issued By Maurice Garnier.
Where: Robert Rienzo
What: Bracelet- Victorian Period 18Kt Gold & Micro Mosaic, Made In England Circa 1870
Where: James Robinson
What: Herman Herzog
(American, Born Germany, 1832-1932)
Dear Leap Falls, Dingman’s Ferry, Pa
Oil On Canvas, 22 1⁄2 X 27 1/8 Inches Signed At Lower Right: “H Herzog”
Where: Schwarz Gallery
What: Henry Clifford Was A Champion And Friend Of Many Significant Modernist Artists, Including Alexander Calder. Untitled 1949 Was A Gift By Calder To Henry And His Wife Esther. It Remained In Their Family’s Collection For Over 65 Years.
Gouache And Ink On Paper
Signed, Dedicated And Dated
9 X 12 Inches
Framed 18 1/4 X 21 Inches
Where: Richard Schillay
What: A Group Of Early And Rare Georg Jensen Creations; Vase #118 With Moonstones, Planter #9 With Amethysts, Butter Dish #44 With Green Agates And Master Brooch #96 With Amber & Green Agates.
Where: Greg Pepin Silver
What: A Sampling Of Victorian Cuff And Buckle Bracelets! Buckle Bracelets Paid Homage To The Order Of The Garter, The Oldest British Order Of Chivalry. Styled After The Garter Insignias With Their Famous Blue Buckles Worn By The Elite Members, The Motif Was A Prominent Design Feature Of Many Sentimental Rings And Bracelets In The Later Part Of The Nineteenth Century And Into The Twentieth.
Where: The Spare Room
What: Piero Fornasetti Biscotti Pattern Porcelain Plate, With Trompe L’oeil Cookies,
Number 4 In Series, 1950S-1960.
Where: Earle Vandekar Of Knightsbridge
What: Pair Of Chinese Export Porcelain Famille Rose Silver Shape Chargers~1767~ With Dutch Arms Of Temmick And Dane. Czech Rhinestone Crystal Trees, Circa 1930’S.
Where: Lynda Willauer Antiques
What: The importance of the piece is the pigments that are intact, you can see the outline of facial hair and the red of the lips. Overall condition and the beautiful form of the face.
Buddha Head, Sui Period
H: 11 in.
Where: Spencer Throckmorton
What: A Very Rare Japanese Inlaid Iron Cabinet Modeled As A Shrine
Meiji Period. (Late 19Th Century)
6 1/4 Inches Long 4 1/2 Inches High
Where: Imperial Fine Books & Oriental Art